How to stop my camera from exagerrating differences in skin colour? Announcing the arrival of Valued Associate #679: Cesar Manara Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern) Proposal: Rules for *New* Photo Contest on Main SiteWhy does my subject's skin have such a red cast — did my auto white balance fail me?What is colour correction, and how does it work?How can I use CMYK values to white balance skin?How can I correctly adjust skin color in Photoshop when I have a color vision deficiency?How can I achieve consistent skin tones in my photographs?How do you make a skin tone metallic brown?Skin very red, blotchy in front of cameraHow to correct skin tone using PhotoshopHow do I achieve these tanned skin tones in Lightroom?How do I get a dark shimmery bronze skin look for my glamour photography? (image provided)How to get these rich skin tones in black and white

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How to stop my camera from exagerrating differences in skin colour?



Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)
Proposal: Rules for *New* Photo Contest on Main SiteWhy does my subject's skin have such a red cast — did my auto white balance fail me?What is colour correction, and how does it work?How can I use CMYK values to white balance skin?How can I correctly adjust skin color in Photoshop when I have a color vision deficiency?How can I achieve consistent skin tones in my photographs?How do you make a skin tone metallic brown?Skin very red, blotchy in front of cameraHow to correct skin tone using PhotoshopHow do I achieve these tanned skin tones in Lightroom?How do I get a dark shimmery bronze skin look for my glamour photography? (image provided)How to get these rich skin tones in black and white



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2















The skin colour of my subject is widely inconsistent and I am not sure what the reason for it is. To me it looks like the side of the face suffers from a colour shadow thrown by the bright hair. At the same time, the skin colour closer towards the centre of the face seems like an exaggeration of minor differences in colour of the subject's skin. Those reddish/pink spots aren't really visible to my eye.



What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?



Picture is taken in JPG in manual mode with automatic white balance and spot-metering. No filters or special camera modes.



Woman's face crop with exaggerated skin colour differences










share|improve this question



















  • 2





    More info is needed. What camera settings are you using ? Are you shooting in raw so that you get all the data possible unchanged by the cameras software or are you set to capture JPG's ? Are you using a "mode" ( such as portrait ) on the camera that makes editing decisions about how the data the camera is capturing is changed ? PLEASE add as much detail to your question as possible.

    – Alaska man
    9 hours ago







  • 1





    It may not be your camera. It may be your perception. You rarely look at people's skin that close, and that long. Your dermatologist could agree with the camera.

    – xenoid
    7 hours ago











  • In addition to settings, what camera and lens models are you using? Different cameras and lenses render images differently.

    – xiota
    6 hours ago






  • 2





    Why does my subject's skin have such a red cast — did my auto white balance fail me?

    – xiota
    6 hours ago












  • What kind of light was illuminating your subject? It all starts with the light.

    – Michael C
    2 hours ago

















2















The skin colour of my subject is widely inconsistent and I am not sure what the reason for it is. To me it looks like the side of the face suffers from a colour shadow thrown by the bright hair. At the same time, the skin colour closer towards the centre of the face seems like an exaggeration of minor differences in colour of the subject's skin. Those reddish/pink spots aren't really visible to my eye.



What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?



Picture is taken in JPG in manual mode with automatic white balance and spot-metering. No filters or special camera modes.



Woman's face crop with exaggerated skin colour differences










share|improve this question



















  • 2





    More info is needed. What camera settings are you using ? Are you shooting in raw so that you get all the data possible unchanged by the cameras software or are you set to capture JPG's ? Are you using a "mode" ( such as portrait ) on the camera that makes editing decisions about how the data the camera is capturing is changed ? PLEASE add as much detail to your question as possible.

    – Alaska man
    9 hours ago







  • 1





    It may not be your camera. It may be your perception. You rarely look at people's skin that close, and that long. Your dermatologist could agree with the camera.

    – xenoid
    7 hours ago











  • In addition to settings, what camera and lens models are you using? Different cameras and lenses render images differently.

    – xiota
    6 hours ago






  • 2





    Why does my subject's skin have such a red cast — did my auto white balance fail me?

    – xiota
    6 hours ago












  • What kind of light was illuminating your subject? It all starts with the light.

    – Michael C
    2 hours ago













2












2








2








The skin colour of my subject is widely inconsistent and I am not sure what the reason for it is. To me it looks like the side of the face suffers from a colour shadow thrown by the bright hair. At the same time, the skin colour closer towards the centre of the face seems like an exaggeration of minor differences in colour of the subject's skin. Those reddish/pink spots aren't really visible to my eye.



What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?



Picture is taken in JPG in manual mode with automatic white balance and spot-metering. No filters or special camera modes.



Woman's face crop with exaggerated skin colour differences










share|improve this question
















The skin colour of my subject is widely inconsistent and I am not sure what the reason for it is. To me it looks like the side of the face suffers from a colour shadow thrown by the bright hair. At the same time, the skin colour closer towards the centre of the face seems like an exaggeration of minor differences in colour of the subject's skin. Those reddish/pink spots aren't really visible to my eye.



What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?



Picture is taken in JPG in manual mode with automatic white balance and spot-metering. No filters or special camera modes.



Woman's face crop with exaggerated skin colour differences







color-correction skin-tones






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited 8 hours ago







Haris

















asked 9 hours ago









HarisHaris

1113




1113







  • 2





    More info is needed. What camera settings are you using ? Are you shooting in raw so that you get all the data possible unchanged by the cameras software or are you set to capture JPG's ? Are you using a "mode" ( such as portrait ) on the camera that makes editing decisions about how the data the camera is capturing is changed ? PLEASE add as much detail to your question as possible.

    – Alaska man
    9 hours ago







  • 1





    It may not be your camera. It may be your perception. You rarely look at people's skin that close, and that long. Your dermatologist could agree with the camera.

    – xenoid
    7 hours ago











  • In addition to settings, what camera and lens models are you using? Different cameras and lenses render images differently.

    – xiota
    6 hours ago






  • 2





    Why does my subject's skin have such a red cast — did my auto white balance fail me?

    – xiota
    6 hours ago












  • What kind of light was illuminating your subject? It all starts with the light.

    – Michael C
    2 hours ago












  • 2





    More info is needed. What camera settings are you using ? Are you shooting in raw so that you get all the data possible unchanged by the cameras software or are you set to capture JPG's ? Are you using a "mode" ( such as portrait ) on the camera that makes editing decisions about how the data the camera is capturing is changed ? PLEASE add as much detail to your question as possible.

    – Alaska man
    9 hours ago







  • 1





    It may not be your camera. It may be your perception. You rarely look at people's skin that close, and that long. Your dermatologist could agree with the camera.

    – xenoid
    7 hours ago











  • In addition to settings, what camera and lens models are you using? Different cameras and lenses render images differently.

    – xiota
    6 hours ago






  • 2





    Why does my subject's skin have such a red cast — did my auto white balance fail me?

    – xiota
    6 hours ago












  • What kind of light was illuminating your subject? It all starts with the light.

    – Michael C
    2 hours ago







2




2





More info is needed. What camera settings are you using ? Are you shooting in raw so that you get all the data possible unchanged by the cameras software or are you set to capture JPG's ? Are you using a "mode" ( such as portrait ) on the camera that makes editing decisions about how the data the camera is capturing is changed ? PLEASE add as much detail to your question as possible.

– Alaska man
9 hours ago






More info is needed. What camera settings are you using ? Are you shooting in raw so that you get all the data possible unchanged by the cameras software or are you set to capture JPG's ? Are you using a "mode" ( such as portrait ) on the camera that makes editing decisions about how the data the camera is capturing is changed ? PLEASE add as much detail to your question as possible.

– Alaska man
9 hours ago





1




1





It may not be your camera. It may be your perception. You rarely look at people's skin that close, and that long. Your dermatologist could agree with the camera.

– xenoid
7 hours ago





It may not be your camera. It may be your perception. You rarely look at people's skin that close, and that long. Your dermatologist could agree with the camera.

– xenoid
7 hours ago













In addition to settings, what camera and lens models are you using? Different cameras and lenses render images differently.

– xiota
6 hours ago





In addition to settings, what camera and lens models are you using? Different cameras and lenses render images differently.

– xiota
6 hours ago




2




2





Why does my subject's skin have such a red cast — did my auto white balance fail me?

– xiota
6 hours ago






Why does my subject's skin have such a red cast — did my auto white balance fail me?

– xiota
6 hours ago














What kind of light was illuminating your subject? It all starts with the light.

– Michael C
2 hours ago





What kind of light was illuminating your subject? It all starts with the light.

– Michael C
2 hours ago










3 Answers
3






active

oldest

votes


















2














What kind of light was illuminating your subject?



It all starts with the light.



Always.



I've found that most of the time uneven skin tones are a result of:



  • Too many different types of lighting mixed from different angles, so that one part of skin is influenced more by, say, the tungsten lamp to the right while another part of the skin is more influenced by the fluorescent light high overhead to the left. Color casts from highly reflective objects, such as your subject's pink wig or even a rich green lawn on a sunny day, can shift the color of human skin.

  • Poor overall lighting, even if all of it is the same type, with a low CRI (color rendering index). If there is no light present that is the same hue as parts of your subject's skin, there will be no light that color reflected from your subject. The colors that are present in the light will then be exaggerated.

  • Flickering lighting, such as most "energy efficient" light sources like cheap fluorescent or LED lighting, combined with fairly fast exposure times so that as the opening between the shutter curtains transits the sensor, the intensity and color of the light is changing as the light cycles from the peak to the trough of the alternating current powering it. Flickering lights not only get brighter and dimmer with the cycle of the current powering them, they also go from bluer and fuller spectrum at peak to browner and lower spectrum at the trough.


What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?




Control your light sources. Be sure you are using even, full spectrum lighting that does not flicker. Be sure that all of the light coming from different angles is the same, both in terms of color temperature along the amber ←→ blue axis and "tint" along the green ←→ magenta axis.



Control your camera's color. Be sure the camera's white balance setting matches your light. Again, this includes both color temperature adjustment as well as white balance correction along the "tint" axis.



Shoot raw anyway. As counterintuitive as this sounds, saving all of the raw data will allow you to make a few, simple global adjustments in post processing to dial your color in even more precisely than the coarser settings on your camera will allow. You won't be forced to do various localized adjustments to a JPEG image near as often by processing the raw data.






share|improve this answer






























    1














    You are likely not getting the colors you want because of the color profile on your camera or raw processing software does not match your preferences. Camera and lens selection may also play a role.



    Lens Selection



    Lenses may transmit different frequencies differently. For instance, some produce warmer colors, while others are cooler. Some lenses also have defects, such as "glow", when shot wide open. Some people find that a soft-focus look is pleasant in portraits.



    Camera Settings



    If you are disciplined, you should set custom white balance. However, if you shoot in conditions with varied lighting, forgetting to change white balance can result in dozens of subsequent shots being ruined. Some cameras allow color-shift adjustments to auto white balance. Since AWB on my camera tends to produce images with more magenta than I'd like, I adjust AWB to increase the complementary color, green.



    You should also select the color profile on your camera that best matches your preferences. Usually one or two profiles will subdue magenta-red colors. Available options vary by camera maker:




    • FujiFilm: Provia, Velvia, Astia, Classic Chrome, ProNeg-High, ProNeg-Low.


    • Canon: Standard, Portrait, Landscape, Neutral, Faithful.


    • Nikon: Standard, Neutral, Vivid, Portrait, Landscape, Flat.


    • Olympus (Picture Modes): i-Enhance, Vivid, Natural, Muted, Portrait.

    • Sony (Creative Style): Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves.


    • (Feel free to suggest edits with camera makers and profile names...)


    Cameras also typically allow adjustments to saturation, contrast, highlight, shadows, noise reduction, and sharpness.



    Post Processing



    The objectionable skin tones are most likely magenta, not red. Even if the colors are accurate, you may still prefer less magenta.



    • You can reduce the magenta by adjusting curves to increase the complementary color, green, in relevant areas. Use color-layer blending to avoid changing the overall luminosity of the image. Use layer masks to isolate changes.


    • Sometimes desaturating slightly is enough to fix skin tones. Use a layer mask to isolate changes.


    • Some editors include skin-tone specific tools. If these are available to you, experiment with them until you find settings you like.


    In your sample image, the "whites" of the girl's eyes are pinkish. Here is the image after adjusting the gamma of the green (1.15) and red (0.85) channels to neutralize the color cast somewhat. Her cheeks are still pinkish, but it should appear more natural and perhaps more to your liking.



    adjusted sample image






    share|improve this answer

























    • For me, it's a lot easier to use an HSL/HSV/HSB tool to pull back the saturation and slightly increase the luminance of the magenta band to get rid of the color cast than doing all of that work with curves.

      – Michael C
      3 hours ago



















    0














    It's certainly a very warm colour balance. Is this more accurate? It's a simple 'Auto Color' process, available in most photo editors.



    But, although it's refreshing to see a young girl not plastered in makeup, it IS rather cruelly accurate.



    What shall we do about the shadow under the cheekbone? Maybe do some subtle work with the airbrush. Or just re-shoot, but reflect some light into that area?



    enter image description here






    share|improve this answer























    • I doubt "auto color" produced anything close to "accurate"... Such automatic adjustments usually need white and black points to adjust the color channels. Since the image is a crop that doesn't contain anything that is supposed to be truly white or black, the result is likely to still have a color shift. In this case, likely too much blue.

      – xiota
      5 hours ago












    • Well, you can see what it DID produce. I'd certainly class it as 'possible', unlike the original. No?

      – Laurence Payne
      5 hours ago











    • Depends on what you consider "possible". "Auto color" made some extreme adjustments to the image, including changing contrast. Detail in her cheeks are blown out. If you do a 50% color blend, to retain original detail and tone down the extreme color shift, the results look more reasonable, though still too blue/pink for my liking. Unless she's standing under blue lighting or Appalachian, I would not consider such coloring normal/accurate/possible.

      – xiota
      4 hours ago












    • @xiota Based on the color of the white of her eye, I'd guess that this is actually more accurate that either the example in the OP or your modification of it. It might not be the most desireable look, but it probably is the most accurate one. That's far from saying that AWB always gets it better than manually controlling the color, though.

      – Michael C
      2 hours ago











    • @MichaelC - The "whites" of people's eyes are not perfectly white.

      – xiota
      1 hour ago











    Your Answer








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    3 Answers
    3






    active

    oldest

    votes








    3 Answers
    3






    active

    oldest

    votes









    active

    oldest

    votes






    active

    oldest

    votes









    2














    What kind of light was illuminating your subject?



    It all starts with the light.



    Always.



    I've found that most of the time uneven skin tones are a result of:



    • Too many different types of lighting mixed from different angles, so that one part of skin is influenced more by, say, the tungsten lamp to the right while another part of the skin is more influenced by the fluorescent light high overhead to the left. Color casts from highly reflective objects, such as your subject's pink wig or even a rich green lawn on a sunny day, can shift the color of human skin.

    • Poor overall lighting, even if all of it is the same type, with a low CRI (color rendering index). If there is no light present that is the same hue as parts of your subject's skin, there will be no light that color reflected from your subject. The colors that are present in the light will then be exaggerated.

    • Flickering lighting, such as most "energy efficient" light sources like cheap fluorescent or LED lighting, combined with fairly fast exposure times so that as the opening between the shutter curtains transits the sensor, the intensity and color of the light is changing as the light cycles from the peak to the trough of the alternating current powering it. Flickering lights not only get brighter and dimmer with the cycle of the current powering them, they also go from bluer and fuller spectrum at peak to browner and lower spectrum at the trough.


    What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?




    Control your light sources. Be sure you are using even, full spectrum lighting that does not flicker. Be sure that all of the light coming from different angles is the same, both in terms of color temperature along the amber ←→ blue axis and "tint" along the green ←→ magenta axis.



    Control your camera's color. Be sure the camera's white balance setting matches your light. Again, this includes both color temperature adjustment as well as white balance correction along the "tint" axis.



    Shoot raw anyway. As counterintuitive as this sounds, saving all of the raw data will allow you to make a few, simple global adjustments in post processing to dial your color in even more precisely than the coarser settings on your camera will allow. You won't be forced to do various localized adjustments to a JPEG image near as often by processing the raw data.






    share|improve this answer



























      2














      What kind of light was illuminating your subject?



      It all starts with the light.



      Always.



      I've found that most of the time uneven skin tones are a result of:



      • Too many different types of lighting mixed from different angles, so that one part of skin is influenced more by, say, the tungsten lamp to the right while another part of the skin is more influenced by the fluorescent light high overhead to the left. Color casts from highly reflective objects, such as your subject's pink wig or even a rich green lawn on a sunny day, can shift the color of human skin.

      • Poor overall lighting, even if all of it is the same type, with a low CRI (color rendering index). If there is no light present that is the same hue as parts of your subject's skin, there will be no light that color reflected from your subject. The colors that are present in the light will then be exaggerated.

      • Flickering lighting, such as most "energy efficient" light sources like cheap fluorescent or LED lighting, combined with fairly fast exposure times so that as the opening between the shutter curtains transits the sensor, the intensity and color of the light is changing as the light cycles from the peak to the trough of the alternating current powering it. Flickering lights not only get brighter and dimmer with the cycle of the current powering them, they also go from bluer and fuller spectrum at peak to browner and lower spectrum at the trough.


      What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?




      Control your light sources. Be sure you are using even, full spectrum lighting that does not flicker. Be sure that all of the light coming from different angles is the same, both in terms of color temperature along the amber ←→ blue axis and "tint" along the green ←→ magenta axis.



      Control your camera's color. Be sure the camera's white balance setting matches your light. Again, this includes both color temperature adjustment as well as white balance correction along the "tint" axis.



      Shoot raw anyway. As counterintuitive as this sounds, saving all of the raw data will allow you to make a few, simple global adjustments in post processing to dial your color in even more precisely than the coarser settings on your camera will allow. You won't be forced to do various localized adjustments to a JPEG image near as often by processing the raw data.






      share|improve this answer

























        2












        2








        2







        What kind of light was illuminating your subject?



        It all starts with the light.



        Always.



        I've found that most of the time uneven skin tones are a result of:



        • Too many different types of lighting mixed from different angles, so that one part of skin is influenced more by, say, the tungsten lamp to the right while another part of the skin is more influenced by the fluorescent light high overhead to the left. Color casts from highly reflective objects, such as your subject's pink wig or even a rich green lawn on a sunny day, can shift the color of human skin.

        • Poor overall lighting, even if all of it is the same type, with a low CRI (color rendering index). If there is no light present that is the same hue as parts of your subject's skin, there will be no light that color reflected from your subject. The colors that are present in the light will then be exaggerated.

        • Flickering lighting, such as most "energy efficient" light sources like cheap fluorescent or LED lighting, combined with fairly fast exposure times so that as the opening between the shutter curtains transits the sensor, the intensity and color of the light is changing as the light cycles from the peak to the trough of the alternating current powering it. Flickering lights not only get brighter and dimmer with the cycle of the current powering them, they also go from bluer and fuller spectrum at peak to browner and lower spectrum at the trough.


        What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?




        Control your light sources. Be sure you are using even, full spectrum lighting that does not flicker. Be sure that all of the light coming from different angles is the same, both in terms of color temperature along the amber ←→ blue axis and "tint" along the green ←→ magenta axis.



        Control your camera's color. Be sure the camera's white balance setting matches your light. Again, this includes both color temperature adjustment as well as white balance correction along the "tint" axis.



        Shoot raw anyway. As counterintuitive as this sounds, saving all of the raw data will allow you to make a few, simple global adjustments in post processing to dial your color in even more precisely than the coarser settings on your camera will allow. You won't be forced to do various localized adjustments to a JPEG image near as often by processing the raw data.






        share|improve this answer













        What kind of light was illuminating your subject?



        It all starts with the light.



        Always.



        I've found that most of the time uneven skin tones are a result of:



        • Too many different types of lighting mixed from different angles, so that one part of skin is influenced more by, say, the tungsten lamp to the right while another part of the skin is more influenced by the fluorescent light high overhead to the left. Color casts from highly reflective objects, such as your subject's pink wig or even a rich green lawn on a sunny day, can shift the color of human skin.

        • Poor overall lighting, even if all of it is the same type, with a low CRI (color rendering index). If there is no light present that is the same hue as parts of your subject's skin, there will be no light that color reflected from your subject. The colors that are present in the light will then be exaggerated.

        • Flickering lighting, such as most "energy efficient" light sources like cheap fluorescent or LED lighting, combined with fairly fast exposure times so that as the opening between the shutter curtains transits the sensor, the intensity and color of the light is changing as the light cycles from the peak to the trough of the alternating current powering it. Flickering lights not only get brighter and dimmer with the cycle of the current powering them, they also go from bluer and fuller spectrum at peak to browner and lower spectrum at the trough.


        What is the best approach to avoid such issues as I am taking a photo so I don't have to try and fix it in Photoshop afterwards? Is it something with my settings?




        Control your light sources. Be sure you are using even, full spectrum lighting that does not flicker. Be sure that all of the light coming from different angles is the same, both in terms of color temperature along the amber ←→ blue axis and "tint" along the green ←→ magenta axis.



        Control your camera's color. Be sure the camera's white balance setting matches your light. Again, this includes both color temperature adjustment as well as white balance correction along the "tint" axis.



        Shoot raw anyway. As counterintuitive as this sounds, saving all of the raw data will allow you to make a few, simple global adjustments in post processing to dial your color in even more precisely than the coarser settings on your camera will allow. You won't be forced to do various localized adjustments to a JPEG image near as often by processing the raw data.







        share|improve this answer












        share|improve this answer



        share|improve this answer










        answered 2 hours ago









        Michael CMichael C

        135k7154384




        135k7154384























            1














            You are likely not getting the colors you want because of the color profile on your camera or raw processing software does not match your preferences. Camera and lens selection may also play a role.



            Lens Selection



            Lenses may transmit different frequencies differently. For instance, some produce warmer colors, while others are cooler. Some lenses also have defects, such as "glow", when shot wide open. Some people find that a soft-focus look is pleasant in portraits.



            Camera Settings



            If you are disciplined, you should set custom white balance. However, if you shoot in conditions with varied lighting, forgetting to change white balance can result in dozens of subsequent shots being ruined. Some cameras allow color-shift adjustments to auto white balance. Since AWB on my camera tends to produce images with more magenta than I'd like, I adjust AWB to increase the complementary color, green.



            You should also select the color profile on your camera that best matches your preferences. Usually one or two profiles will subdue magenta-red colors. Available options vary by camera maker:




            • FujiFilm: Provia, Velvia, Astia, Classic Chrome, ProNeg-High, ProNeg-Low.


            • Canon: Standard, Portrait, Landscape, Neutral, Faithful.


            • Nikon: Standard, Neutral, Vivid, Portrait, Landscape, Flat.


            • Olympus (Picture Modes): i-Enhance, Vivid, Natural, Muted, Portrait.

            • Sony (Creative Style): Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves.


            • (Feel free to suggest edits with camera makers and profile names...)


            Cameras also typically allow adjustments to saturation, contrast, highlight, shadows, noise reduction, and sharpness.



            Post Processing



            The objectionable skin tones are most likely magenta, not red. Even if the colors are accurate, you may still prefer less magenta.



            • You can reduce the magenta by adjusting curves to increase the complementary color, green, in relevant areas. Use color-layer blending to avoid changing the overall luminosity of the image. Use layer masks to isolate changes.


            • Sometimes desaturating slightly is enough to fix skin tones. Use a layer mask to isolate changes.


            • Some editors include skin-tone specific tools. If these are available to you, experiment with them until you find settings you like.


            In your sample image, the "whites" of the girl's eyes are pinkish. Here is the image after adjusting the gamma of the green (1.15) and red (0.85) channels to neutralize the color cast somewhat. Her cheeks are still pinkish, but it should appear more natural and perhaps more to your liking.



            adjusted sample image






            share|improve this answer

























            • For me, it's a lot easier to use an HSL/HSV/HSB tool to pull back the saturation and slightly increase the luminance of the magenta band to get rid of the color cast than doing all of that work with curves.

              – Michael C
              3 hours ago
















            1














            You are likely not getting the colors you want because of the color profile on your camera or raw processing software does not match your preferences. Camera and lens selection may also play a role.



            Lens Selection



            Lenses may transmit different frequencies differently. For instance, some produce warmer colors, while others are cooler. Some lenses also have defects, such as "glow", when shot wide open. Some people find that a soft-focus look is pleasant in portraits.



            Camera Settings



            If you are disciplined, you should set custom white balance. However, if you shoot in conditions with varied lighting, forgetting to change white balance can result in dozens of subsequent shots being ruined. Some cameras allow color-shift adjustments to auto white balance. Since AWB on my camera tends to produce images with more magenta than I'd like, I adjust AWB to increase the complementary color, green.



            You should also select the color profile on your camera that best matches your preferences. Usually one or two profiles will subdue magenta-red colors. Available options vary by camera maker:




            • FujiFilm: Provia, Velvia, Astia, Classic Chrome, ProNeg-High, ProNeg-Low.


            • Canon: Standard, Portrait, Landscape, Neutral, Faithful.


            • Nikon: Standard, Neutral, Vivid, Portrait, Landscape, Flat.


            • Olympus (Picture Modes): i-Enhance, Vivid, Natural, Muted, Portrait.

            • Sony (Creative Style): Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves.


            • (Feel free to suggest edits with camera makers and profile names...)


            Cameras also typically allow adjustments to saturation, contrast, highlight, shadows, noise reduction, and sharpness.



            Post Processing



            The objectionable skin tones are most likely magenta, not red. Even if the colors are accurate, you may still prefer less magenta.



            • You can reduce the magenta by adjusting curves to increase the complementary color, green, in relevant areas. Use color-layer blending to avoid changing the overall luminosity of the image. Use layer masks to isolate changes.


            • Sometimes desaturating slightly is enough to fix skin tones. Use a layer mask to isolate changes.


            • Some editors include skin-tone specific tools. If these are available to you, experiment with them until you find settings you like.


            In your sample image, the "whites" of the girl's eyes are pinkish. Here is the image after adjusting the gamma of the green (1.15) and red (0.85) channels to neutralize the color cast somewhat. Her cheeks are still pinkish, but it should appear more natural and perhaps more to your liking.



            adjusted sample image






            share|improve this answer

























            • For me, it's a lot easier to use an HSL/HSV/HSB tool to pull back the saturation and slightly increase the luminance of the magenta band to get rid of the color cast than doing all of that work with curves.

              – Michael C
              3 hours ago














            1












            1








            1







            You are likely not getting the colors you want because of the color profile on your camera or raw processing software does not match your preferences. Camera and lens selection may also play a role.



            Lens Selection



            Lenses may transmit different frequencies differently. For instance, some produce warmer colors, while others are cooler. Some lenses also have defects, such as "glow", when shot wide open. Some people find that a soft-focus look is pleasant in portraits.



            Camera Settings



            If you are disciplined, you should set custom white balance. However, if you shoot in conditions with varied lighting, forgetting to change white balance can result in dozens of subsequent shots being ruined. Some cameras allow color-shift adjustments to auto white balance. Since AWB on my camera tends to produce images with more magenta than I'd like, I adjust AWB to increase the complementary color, green.



            You should also select the color profile on your camera that best matches your preferences. Usually one or two profiles will subdue magenta-red colors. Available options vary by camera maker:




            • FujiFilm: Provia, Velvia, Astia, Classic Chrome, ProNeg-High, ProNeg-Low.


            • Canon: Standard, Portrait, Landscape, Neutral, Faithful.


            • Nikon: Standard, Neutral, Vivid, Portrait, Landscape, Flat.


            • Olympus (Picture Modes): i-Enhance, Vivid, Natural, Muted, Portrait.

            • Sony (Creative Style): Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves.


            • (Feel free to suggest edits with camera makers and profile names...)


            Cameras also typically allow adjustments to saturation, contrast, highlight, shadows, noise reduction, and sharpness.



            Post Processing



            The objectionable skin tones are most likely magenta, not red. Even if the colors are accurate, you may still prefer less magenta.



            • You can reduce the magenta by adjusting curves to increase the complementary color, green, in relevant areas. Use color-layer blending to avoid changing the overall luminosity of the image. Use layer masks to isolate changes.


            • Sometimes desaturating slightly is enough to fix skin tones. Use a layer mask to isolate changes.


            • Some editors include skin-tone specific tools. If these are available to you, experiment with them until you find settings you like.


            In your sample image, the "whites" of the girl's eyes are pinkish. Here is the image after adjusting the gamma of the green (1.15) and red (0.85) channels to neutralize the color cast somewhat. Her cheeks are still pinkish, but it should appear more natural and perhaps more to your liking.



            adjusted sample image






            share|improve this answer















            You are likely not getting the colors you want because of the color profile on your camera or raw processing software does not match your preferences. Camera and lens selection may also play a role.



            Lens Selection



            Lenses may transmit different frequencies differently. For instance, some produce warmer colors, while others are cooler. Some lenses also have defects, such as "glow", when shot wide open. Some people find that a soft-focus look is pleasant in portraits.



            Camera Settings



            If you are disciplined, you should set custom white balance. However, if you shoot in conditions with varied lighting, forgetting to change white balance can result in dozens of subsequent shots being ruined. Some cameras allow color-shift adjustments to auto white balance. Since AWB on my camera tends to produce images with more magenta than I'd like, I adjust AWB to increase the complementary color, green.



            You should also select the color profile on your camera that best matches your preferences. Usually one or two profiles will subdue magenta-red colors. Available options vary by camera maker:




            • FujiFilm: Provia, Velvia, Astia, Classic Chrome, ProNeg-High, ProNeg-Low.


            • Canon: Standard, Portrait, Landscape, Neutral, Faithful.


            • Nikon: Standard, Neutral, Vivid, Portrait, Landscape, Flat.


            • Olympus (Picture Modes): i-Enhance, Vivid, Natural, Muted, Portrait.

            • Sony (Creative Style): Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves.


            • (Feel free to suggest edits with camera makers and profile names...)


            Cameras also typically allow adjustments to saturation, contrast, highlight, shadows, noise reduction, and sharpness.



            Post Processing



            The objectionable skin tones are most likely magenta, not red. Even if the colors are accurate, you may still prefer less magenta.



            • You can reduce the magenta by adjusting curves to increase the complementary color, green, in relevant areas. Use color-layer blending to avoid changing the overall luminosity of the image. Use layer masks to isolate changes.


            • Sometimes desaturating slightly is enough to fix skin tones. Use a layer mask to isolate changes.


            • Some editors include skin-tone specific tools. If these are available to you, experiment with them until you find settings you like.


            In your sample image, the "whites" of the girl's eyes are pinkish. Here is the image after adjusting the gamma of the green (1.15) and red (0.85) channels to neutralize the color cast somewhat. Her cheeks are still pinkish, but it should appear more natural and perhaps more to your liking.



            adjusted sample image







            share|improve this answer














            share|improve this answer



            share|improve this answer








            edited 5 hours ago

























            answered 5 hours ago









            xiotaxiota

            12k41864




            12k41864












            • For me, it's a lot easier to use an HSL/HSV/HSB tool to pull back the saturation and slightly increase the luminance of the magenta band to get rid of the color cast than doing all of that work with curves.

              – Michael C
              3 hours ago


















            • For me, it's a lot easier to use an HSL/HSV/HSB tool to pull back the saturation and slightly increase the luminance of the magenta band to get rid of the color cast than doing all of that work with curves.

              – Michael C
              3 hours ago

















            For me, it's a lot easier to use an HSL/HSV/HSB tool to pull back the saturation and slightly increase the luminance of the magenta band to get rid of the color cast than doing all of that work with curves.

            – Michael C
            3 hours ago






            For me, it's a lot easier to use an HSL/HSV/HSB tool to pull back the saturation and slightly increase the luminance of the magenta band to get rid of the color cast than doing all of that work with curves.

            – Michael C
            3 hours ago












            0














            It's certainly a very warm colour balance. Is this more accurate? It's a simple 'Auto Color' process, available in most photo editors.



            But, although it's refreshing to see a young girl not plastered in makeup, it IS rather cruelly accurate.



            What shall we do about the shadow under the cheekbone? Maybe do some subtle work with the airbrush. Or just re-shoot, but reflect some light into that area?



            enter image description here






            share|improve this answer























            • I doubt "auto color" produced anything close to "accurate"... Such automatic adjustments usually need white and black points to adjust the color channels. Since the image is a crop that doesn't contain anything that is supposed to be truly white or black, the result is likely to still have a color shift. In this case, likely too much blue.

              – xiota
              5 hours ago












            • Well, you can see what it DID produce. I'd certainly class it as 'possible', unlike the original. No?

              – Laurence Payne
              5 hours ago











            • Depends on what you consider "possible". "Auto color" made some extreme adjustments to the image, including changing contrast. Detail in her cheeks are blown out. If you do a 50% color blend, to retain original detail and tone down the extreme color shift, the results look more reasonable, though still too blue/pink for my liking. Unless she's standing under blue lighting or Appalachian, I would not consider such coloring normal/accurate/possible.

              – xiota
              4 hours ago












            • @xiota Based on the color of the white of her eye, I'd guess that this is actually more accurate that either the example in the OP or your modification of it. It might not be the most desireable look, but it probably is the most accurate one. That's far from saying that AWB always gets it better than manually controlling the color, though.

              – Michael C
              2 hours ago











            • @MichaelC - The "whites" of people's eyes are not perfectly white.

              – xiota
              1 hour ago















            0














            It's certainly a very warm colour balance. Is this more accurate? It's a simple 'Auto Color' process, available in most photo editors.



            But, although it's refreshing to see a young girl not plastered in makeup, it IS rather cruelly accurate.



            What shall we do about the shadow under the cheekbone? Maybe do some subtle work with the airbrush. Or just re-shoot, but reflect some light into that area?



            enter image description here






            share|improve this answer























            • I doubt "auto color" produced anything close to "accurate"... Such automatic adjustments usually need white and black points to adjust the color channels. Since the image is a crop that doesn't contain anything that is supposed to be truly white or black, the result is likely to still have a color shift. In this case, likely too much blue.

              – xiota
              5 hours ago












            • Well, you can see what it DID produce. I'd certainly class it as 'possible', unlike the original. No?

              – Laurence Payne
              5 hours ago











            • Depends on what you consider "possible". "Auto color" made some extreme adjustments to the image, including changing contrast. Detail in her cheeks are blown out. If you do a 50% color blend, to retain original detail and tone down the extreme color shift, the results look more reasonable, though still too blue/pink for my liking. Unless she's standing under blue lighting or Appalachian, I would not consider such coloring normal/accurate/possible.

              – xiota
              4 hours ago












            • @xiota Based on the color of the white of her eye, I'd guess that this is actually more accurate that either the example in the OP or your modification of it. It might not be the most desireable look, but it probably is the most accurate one. That's far from saying that AWB always gets it better than manually controlling the color, though.

              – Michael C
              2 hours ago











            • @MichaelC - The "whites" of people's eyes are not perfectly white.

              – xiota
              1 hour ago













            0












            0








            0







            It's certainly a very warm colour balance. Is this more accurate? It's a simple 'Auto Color' process, available in most photo editors.



            But, although it's refreshing to see a young girl not plastered in makeup, it IS rather cruelly accurate.



            What shall we do about the shadow under the cheekbone? Maybe do some subtle work with the airbrush. Or just re-shoot, but reflect some light into that area?



            enter image description here






            share|improve this answer













            It's certainly a very warm colour balance. Is this more accurate? It's a simple 'Auto Color' process, available in most photo editors.



            But, although it's refreshing to see a young girl not plastered in makeup, it IS rather cruelly accurate.



            What shall we do about the shadow under the cheekbone? Maybe do some subtle work with the airbrush. Or just re-shoot, but reflect some light into that area?



            enter image description here







            share|improve this answer












            share|improve this answer



            share|improve this answer










            answered 5 hours ago









            Laurence PayneLaurence Payne

            1,35946




            1,35946












            • I doubt "auto color" produced anything close to "accurate"... Such automatic adjustments usually need white and black points to adjust the color channels. Since the image is a crop that doesn't contain anything that is supposed to be truly white or black, the result is likely to still have a color shift. In this case, likely too much blue.

              – xiota
              5 hours ago












            • Well, you can see what it DID produce. I'd certainly class it as 'possible', unlike the original. No?

              – Laurence Payne
              5 hours ago











            • Depends on what you consider "possible". "Auto color" made some extreme adjustments to the image, including changing contrast. Detail in her cheeks are blown out. If you do a 50% color blend, to retain original detail and tone down the extreme color shift, the results look more reasonable, though still too blue/pink for my liking. Unless she's standing under blue lighting or Appalachian, I would not consider such coloring normal/accurate/possible.

              – xiota
              4 hours ago












            • @xiota Based on the color of the white of her eye, I'd guess that this is actually more accurate that either the example in the OP or your modification of it. It might not be the most desireable look, but it probably is the most accurate one. That's far from saying that AWB always gets it better than manually controlling the color, though.

              – Michael C
              2 hours ago











            • @MichaelC - The "whites" of people's eyes are not perfectly white.

              – xiota
              1 hour ago

















            • I doubt "auto color" produced anything close to "accurate"... Such automatic adjustments usually need white and black points to adjust the color channels. Since the image is a crop that doesn't contain anything that is supposed to be truly white or black, the result is likely to still have a color shift. In this case, likely too much blue.

              – xiota
              5 hours ago












            • Well, you can see what it DID produce. I'd certainly class it as 'possible', unlike the original. No?

              – Laurence Payne
              5 hours ago











            • Depends on what you consider "possible". "Auto color" made some extreme adjustments to the image, including changing contrast. Detail in her cheeks are blown out. If you do a 50% color blend, to retain original detail and tone down the extreme color shift, the results look more reasonable, though still too blue/pink for my liking. Unless she's standing under blue lighting or Appalachian, I would not consider such coloring normal/accurate/possible.

              – xiota
              4 hours ago












            • @xiota Based on the color of the white of her eye, I'd guess that this is actually more accurate that either the example in the OP or your modification of it. It might not be the most desireable look, but it probably is the most accurate one. That's far from saying that AWB always gets it better than manually controlling the color, though.

              – Michael C
              2 hours ago











            • @MichaelC - The "whites" of people's eyes are not perfectly white.

              – xiota
              1 hour ago
















            I doubt "auto color" produced anything close to "accurate"... Such automatic adjustments usually need white and black points to adjust the color channels. Since the image is a crop that doesn't contain anything that is supposed to be truly white or black, the result is likely to still have a color shift. In this case, likely too much blue.

            – xiota
            5 hours ago






            I doubt "auto color" produced anything close to "accurate"... Such automatic adjustments usually need white and black points to adjust the color channels. Since the image is a crop that doesn't contain anything that is supposed to be truly white or black, the result is likely to still have a color shift. In this case, likely too much blue.

            – xiota
            5 hours ago














            Well, you can see what it DID produce. I'd certainly class it as 'possible', unlike the original. No?

            – Laurence Payne
            5 hours ago





            Well, you can see what it DID produce. I'd certainly class it as 'possible', unlike the original. No?

            – Laurence Payne
            5 hours ago













            Depends on what you consider "possible". "Auto color" made some extreme adjustments to the image, including changing contrast. Detail in her cheeks are blown out. If you do a 50% color blend, to retain original detail and tone down the extreme color shift, the results look more reasonable, though still too blue/pink for my liking. Unless she's standing under blue lighting or Appalachian, I would not consider such coloring normal/accurate/possible.

            – xiota
            4 hours ago






            Depends on what you consider "possible". "Auto color" made some extreme adjustments to the image, including changing contrast. Detail in her cheeks are blown out. If you do a 50% color blend, to retain original detail and tone down the extreme color shift, the results look more reasonable, though still too blue/pink for my liking. Unless she's standing under blue lighting or Appalachian, I would not consider such coloring normal/accurate/possible.

            – xiota
            4 hours ago














            @xiota Based on the color of the white of her eye, I'd guess that this is actually more accurate that either the example in the OP or your modification of it. It might not be the most desireable look, but it probably is the most accurate one. That's far from saying that AWB always gets it better than manually controlling the color, though.

            – Michael C
            2 hours ago





            @xiota Based on the color of the white of her eye, I'd guess that this is actually more accurate that either the example in the OP or your modification of it. It might not be the most desireable look, but it probably is the most accurate one. That's far from saying that AWB always gets it better than manually controlling the color, though.

            – Michael C
            2 hours ago













            @MichaelC - The "whites" of people's eyes are not perfectly white.

            – xiota
            1 hour ago





            @MichaelC - The "whites" of people's eyes are not perfectly white.

            – xiota
            1 hour ago

















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There's a third YouTube co-founder"سایت یوتیوب برای چندمین بار در ایران فیلتر شدنسخهٔ اصلیسالار کمانگر جوان آمریکایی ایرانی الاصل مدیر سایت یوتیوب شدنسخهٔ اصلیVideo websites pop up, invite postingsthe originalthe originalYouTube: Overnight success has sparked a backlashthe original"Me at the zoo"YouTube serves up 100 million videos a day onlinethe originalcomScore Releases May 2010 U.S. Online Video Rankingsthe originalYouTube hits 4 billion daily video viewsthe originalYouTube users uploading two days of video every minutethe originalEric Schmidt, Princeton Colloquium on Public & Int'l Affairsthe original«Streaming Dreams»نسخهٔ اصلیAlexa Traffic Rank for YouTube (three month average)the originalHelp! YouTube is killing my business!the originalUtube sues YouTubethe originalGoogle closes $A2b YouTube dealthe originalFlash moves on to smart phonesthe originalYouTube HTML5 Video Playerنسخهٔ اصلیYouTube HTML5 Video Playerthe originalGoogle tries freeing Web video with WebMthe originalVideo length for uploadingthe originalYouTube caps video lengths to reduce infringementthe originalAccount Types: Longer videosthe originalYouTube bumps video limit to 15 minutesthe originalUploading large files and resumable uploadingthe originalVideo Formats: File formatsthe originalGetting Started: File formatsthe originalThe quest for a new video codec in Flash 8the originalAdobe Flash Video File Format Specification Version 10.1the originalYouTube Mobile goes livethe originalYouTube videos go HD with a simple hackthe originalYouTube now supports 4k-resolution videosthe originalYouTube to get high-def 1080p playerthe original«Approximate YouTube Bitrates»نسخهٔ اصلی«Bigger and Better: Encoding for YouTube 720p HD»نسخهٔ اصلی«YouTube's 1080p – Failure Depends on How You Look At It»نسخهٔ اصلیYouTube in 3Dthe originalYouTube in 3D?the originalYouTube 3D Videosthe originalYouTube adds a dimension, 3D goggles not includedthe originalYouTube Adds Stereoscopic 3D Video Support (And 3D Vision Support, Too)the original«Sharing YouTube Videos»نسخهٔ اصلی«Downloading videos from YouTube is not supported, except for one instance when it is permitted.»نسخهٔ اصلی«Terms of Use, 5.B»نسخهٔ اصلی«Some YouTube videos get download option»نسخهٔ اصلی«YouTube looks out for content owners, disables video ripping»«Downloading videos from YouTube is not supported, except for one instance when it is permitted.»نسخهٔ اصلی«YouTube Hopes To Boost Revenue With Video Downloads»نسخهٔ اصلی«YouTube Mobile»نسخهٔ اصلی«YouTube Live on Apple TV Today; Coming to iPhone on June 29»نسخهٔ اصلی«Goodbye Flash: YouTube mobile goes HTML5 on iPhone and Android»نسخهٔ اصلی«YouTube Mobile Goes HTML5, Video Quality Beats Native Apps Hands Down»نسخهٔ اصلی«TiVo Getting YouTube Streaming Today»نسخهٔ اصلی«YouTube video comes to Wii and PlayStation 3 game consoles»نسخهٔ اصلی«Coming Up Next... YouTube on Your TV»نسخهٔ اصلی«Experience YouTube XL on the Big Screen»نسخهٔ اصلی«Xbox Live Getting Live TV, YouTube & Bing Voice Search»نسخهٔ اصلی«YouTube content locations»نسخهٔ اصلی«April fools: YouTube turns the world up-side-down»نسخهٔ اصلی«YouTube goes back to 1911 for April Fools' Day»نسخهٔ اصلی«Simon Cowell's bromance, the self-driving Nascar and Hungry Hippos for iPad... the best April Fools' gags»نسخهٔ اصلی"YouTube Announces It Will Shut Down""YouTube Adds Darude 'Sandstorm' Button To Its Videos For April Fools' Day"«Censorship fears rise as Iran blocks access to top websites»نسخهٔ اصلی«China 'blocks YouTube video site'»نسخهٔ اصلی«YouTube shut down in Morocco»نسخهٔ اصلی«Thailand blocks access to YouTube»نسخهٔ اصلی«Ban on YouTube lifted after deal»نسخهٔ اصلی«Google's Gatekeepers»نسخهٔ اصلی«Turkey goes into battle with Google»نسخهٔ اصلی«Turkey lifts two-year ban on YouTube»نسخهٔ اصلیسانسور در ترکیه به یوتیوب رسیدلغو فیلترینگ یوتیوب در ترکیه«Pakistan blocks YouTube website»نسخهٔ اصلی«Pakistan lifts the ban on YouTube»نسخهٔ اصلی«Pakistan blocks access to YouTube in internet crackdown»نسخهٔ اصلی«Watchdog urges Libya to stop blocking websites»نسخهٔ اصلی«YouTube»نسخهٔ اصلی«Due to abuses of religion, customs Emirates, YouTube is blocked in the UAE»نسخهٔ اصلی«Google Conquered The Web - An Ultimate Winner»نسخهٔ اصلی«100 million videos are viewed daily on YouTube»نسخهٔ اصلی«Harry and Charlie Davies-Carr: Web gets taste for biting baby»نسخهٔ اصلی«Meet YouTube's 224 million girl, Natalie Tran»نسخهٔ اصلی«YouTube to Double Down on Its 'Channel' Experiment»نسخهٔ اصلی«13 Some Media Companies Choose to Profit From Pirated YouTube Clips»نسخهٔ اصلی«Irate HK man unlikely Web hero»نسخهٔ اصلی«Web Guitar Wizard Revealed at Last»نسخهٔ اصلی«Charlie bit my finger – again!»نسخهٔ اصلی«Lowered Expectations: Web Redefines 'Quality'»نسخهٔ اصلی«YouTube's 50 Greatest Viral Videos»نسخهٔ اصلیYouTube Community Guidelinesthe original«Why did my YouTube account get closed down?»نسخهٔ اصلی«Why do I have a sanction on my account?»نسخهٔ اصلی«Is YouTube's three-strike rule fair to users?»نسخهٔ اصلی«Viacom will sue YouTube for $1bn»نسخهٔ اصلی«Mediaset Files EUR500 Million Suit Vs Google's YouTube»نسخهٔ اصلی«Premier League to take action against YouTube»نسخهٔ اصلی«YouTube law fight 'threatens net'»نسخهٔ اصلی«Google must divulge YouTube log»نسخهٔ اصلی«Google Told to Turn Over User Data of YouTube»نسخهٔ اصلی«US judge tosses out Viacom copyright suit against YouTube»نسخهٔ اصلی«Google and Viacom: YouTube copyright lawsuit back on»نسخهٔ اصلی«Woman can sue over YouTube clip de-posting»نسخهٔ اصلی«YouTube loses court battle over music clips»نسخهٔ اصلیYouTube to Test Software To Ease Licensing Fightsthe original«Press Statistics»نسخهٔ اصلی«Testing YouTube's Audio Content ID System»نسخهٔ اصلی«Content ID disputes»نسخهٔ اصلیYouTube Community Guidelinesthe originalYouTube criticized in Germany over anti-Semitic Nazi videosthe originalFury as YouTube carries sick Hillsboro video insultthe originalYouTube attacked by MPs over sex and violence footagethe originalAl-Awlaki's YouTube Videos Targeted by Rep. Weinerthe originalYouTube Withdraws Cleric's Videosthe originalYouTube is letting users decide on terrorism-related videosthe original«Time's Person of the Year: You»نسخهٔ اصلی«Our top 10 funniest YouTube comments – what are yours?»نسخهٔ اصلی«YouTube's worst comments blocked by filter»نسخهٔ اصلی«Site Info YouTube»نسخهٔ اصلیوبگاه YouTubeوبگاه موبایل YouTubeوووووو

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